Senin, 16 November 2009

Istilah & fungsi pada jaringan LAN

a) Server

Server adalah komputer yang biasanya dikhususkan untuk penyimpanan data atau system operasi berbasis network (Network Operating System), berisikan daftar user yang diperbolehkanmasuk ke server tersebut. Jadi apabila komputer server mengalami kerusakan atau gangguan secara otomatis seluruh jaringan tidak berfungsi karena server merupakan pintu masuk dan sebagai pusat jaringan tersebut. Jadi apabila seluruh jaringan tidak dapat berfungsi berarti terjadi gangguan atau kerusakan pada server.


b) Workstation

Workstation adalah komputer yang memanfaatkan jaringan untuk menghubungkan komputer tersebut dengan komputer lain atau komputer tersebut dengan server. Pemanfaatan jaringan tersebut dapat berupa sharing data, sharing printer dan sebagainya. Apabila terjadi kerusakan pada komputer workstation berarti komputer yang digunakan tidak dapat masuk dalam jaringan sehingga tidak dapat berkomunikasi dengan komputer server maupun komputer lain dalam jaringan tersebut.


c) Hub/switch

Hub/switch merupakan terminal atau pembagi signal data bagi kartu jaringan (Network Card). Jika Hub mengalami kerusakan berarti seluruh jaringan juga tidak dapat berfungsi untuk berkomunikasi antar workstation atau komputer workstation dengan server. Apabila terjadi kerusakan pada Hub dapat dilihat pada lampu indikator power dan lampu indikator untuk masing masing workstation. Apabila lampu indikator power Hub/switch mati berarti kemungkinan besar Hub tersebut rusak. Jika ada lampu indikator workstation yang tidak menyala menyatakan bahwa komputer workstation sedang tidak aktif (tidak hidup) atau ada gangguan pada komputer workstation tersebut.


d) Network Interface Card (Kartu jaringan)

Sebuah kartu jaringan (LAN Card) yang terpasang pada sebuah komputer server maupun workstation sehingga komputer dapat dihubungkan ke dalam sistem jaringan. Apabila terjadi gangguan atau kerusakan pada kartu jaringan berakibat pada komputer tersebut tidak dapat masuk dalam sistem jaringan. Indikator yang dapat dilihat dalam kerusakan kartu jaringan adalah matinya lampu indikator yang terdapat pada kartu jaringan dan lampu indikator di Hub/switch saat komputer telah hidup dan konektifitas kabel dari kartu jaringan dan hub/switch telah baik.


e) Kabel dan konektor

Kabel dan konektor merupakan media penghubung antara komputer dengan komputer lain atau dengan peralatan lain yang digunakan untuk membentuk jaringan.

Kabel dan konektor untuk membuat jaringan LAN yang banyak digunakan ada 3 jenis yaitu:


(1) Jenis kabel serat optik menggunakan konektor SC dan ST.Gangguan atau kerusakan pada kabel dan konektor jenis seratoptik sangat jarang, tetapi memerlukan penanganan secarakhusus untuk perawatan jaringan.


(2) Jenis Kabel UTP dengan konekor RJ45. Gangguan ataukerusakan pada kabel jenis ini adalah konektor yang tidakterpasang dengan baik (longgar), susunan pengkabelan yangsalah dan kabel putus. Indikasi yang dapat dilihat adalah lampuindikator yang tidak hidup pada kartu jaringan atau padaHub/switch. Jaringan menggunakan kabel UTP kesalahan yangmuncul relatif sedikit, karena jaringan terpasang menggunakantopologi star, workstation terpasang secara paralel denganmenggunakan swicth/hub. Sehingga yang terjadi gangguanhanya pada workstation yang kabelnya mengalami gangguan saja.


(3) Jenis kabel Coaxial dengan konektor BNC. Kabel jenis coaxialmemiliki akses yang cukup lambat bila dibandingkan jenis kabellainnya dan sering terjadi gangguan karena konektor yanglonggar (tidak konek), kabel short dan kabel terbuka resistorpada terminating conector. Short pada pemasangan kabeldengan plug konektor ini menyebabkan system jaringan akandown dan komunikasi antar komputer berhenti.

Senin, 09 November 2009

tranformer

Product Description
From the Manufacturer
Having chosen to stay with Sam after the end of the battle for the AllSpark, BUMBLEBEE made arrangements to stay close to him at all times. It’s been a pretty good deal. He gets regular detailing, and as much high-grade fuel as he needs. Plus, he gets to spend time with Sam and Mikaela. His vocal processors still aren’t fully up to snuff, but he and his friends communicate just fine. If he ever misses the action of battle, he can always give IRONHIDE a call and go DECEPTICON hunting. Get ready to roll out with this AUTOBOT ally! This detailed BUMBLEBEE figure unleashes a launching pulse missile in robot mode and converts to a cool, Camaro concept car in vehicle mode! The battle is on and this bright yellow warrior is ready – are you?


Product Description
Having chosen to stay with Sam after the end of the battle for the AllSpark, BUMBLEBEE made arrangements to stay close to him at all times. Its been a pretty good deal. He gets regular detailing, and as much high-grade fuel as he needs. Plus, he gets to spend time with Sam and Mikaela. His vocal processors still arent fully up to snuff, but he and his friends communicate just fine. If he ever misses the action of battle, he can always give IRONHIDE a call and go DECEPTICON hunting. Get ready to roll out with this AUTOBOT ally! This detailed BUMBLEBEE figure unleashes a launching pulse missile in robot mode and converts to a cool, Camaro concept car in vehicle mode! The battle is on and this bright yellow warrior is ready  are you?
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Senin, 02 November 2009

michael jakson

Michael Jackson
From Wikipedia, the free encyclopedia
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For other persons named Michael Jackson, see Michael Jackson (disambiguation).
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Michael Jackson

At the White House in 1984
Background information
Birth name Michael Joseph Jackson
Born August 29, 1958(1958-08-29)
Gary, Indiana, United States
Died June 25, 2009 (aged 50)
Los Angeles, California,
United States
Genres R&B, pop, rock, dance
Occupations Singer, songwriter, record producer, dancer, choreographer, actor, businessman
Instruments Vocals, piano, drums, guitar, beat-box
Years active 1964–2009
Labels Motown, Epic
Associated acts The Jackson 5
Website www.michaeljackson.com

Michael Joseph Jackson (August 29, 1958 – June 25, 2009), known as the "King of Pop", was an American musician and one of the most commercially successful and influential entertainers of all time. His unique contributions to music and dance, along with a highly publicized personal life, made him a prominent figure in popular culture for four decades.

Alongside his brothers, he made his debut in 1964 as lead singer and youngest member of The Jackson 5, and began a successful solo career in 1971. His 1982 album Thriller remains the best-selling album of all time, with Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995) among the best selling. He is widely credited with having transformed the music video from a promotional tool into an art form, with videos for his songs "Billie Jean", "Beat It" and "Thriller" making him the first African American artist to amass a strong crossover following on MTV. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound, vocal style and choreography inspired numerous pop, rock, R&B and hip hop artists, while also breaking down cultural, racial and generational barriers.

One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his other achievements feature multiple Guinness World Records—including the "Most Successful Entertainer of All Time"—13 Grammy Awards, 22 American Music Awards (20 only as a solo artist, including one for "artist of the century"), 17 number one singles (including the four as a member of the Jackson 5), and estimated sales between 350 million and 750 million records worldwide.[1] He was also a notable philanthropist and humanitarian who donated and raised millions of dollars through support of 39 charities and his own Heal the World Foundation.

Jackson's personal life generated controversy for years. His changing appearance was noticed from the late 1970s onwards, with changes to his nose and to the color of his skin drawing media publicity. He was accused of child sexual abuse in 1993 though no charges were brought, and in 2005 he was tried and acquitted of further allegations. He married twice, first in 1994 and again in 1996, and brought up three children, one born to a surrogate mother. While preparing for the This Is It concert tour in 2009, Jackson died at the age of 50 after suffering from cardiac arrest. He reportedly had been administered drugs such as propofol and lorazepam, and his death was ruled a homicide by the Los Angeles County coroner. His death triggered an outpouring of grief from around the world with his globally live broadcast memorial service attracting an audience of up to one billion people.[2]
Contents
[hide]

* 1 Life and career
o 1.1 Early life and The Jackson 5 (1958–1975)
o 1.2 Move to Epic and Off the Wall (1975–1981)
o 1.3 Thriller and Motown 25 (1982–1983)
o 1.4 Pepsi, "We Are the World" and business career (1984–85)
o 1.5 Appearance, tabloids, Bad, autobiography and films (1986–1987)
o 1.6 Autobiography, changing appearance and Neverland (1988–1990)
o 1.7 Dangerous, Heal the World Foundation and Super Bowl XXVII (1991–1993)
o 1.8 First child sexual abuse allegations (1993)
o 1.9 First marriage (1994)
o 1.10 HIStory (1995–1997)
o 1.11 Second marriage and fatherhood (1996–1999)
o 1.12 Label dispute, Invincible and third child (2000–2003)
o 1.13 Second child sexual abuse allegations (2003–2005)
o 1.14 Final years (2006–2009)
* 2 Death and memorial
* 3 Artistry
o 3.1 Influences
o 3.2 Musical themes and genres
o 3.3 Vocal style
o 3.4 Music videos and choreography
* 4 Legacy and influence
* 5 Discography
* 6 Filmography
* 7 Tours
* 8 See also
* 9 Notes
* 10 References
* 11 Further reading
* 12 External links

Life and career
Early life and The Jackson 5 (1958–1975)

Michael Jackson was born the eighth of ten children on August 29, 1958 in Gary, Indiana, an industrial suburb of Chicago, to an African American working-class family. His mother, Katherine Esther Scruse, was a devout Jehovah's Witness, and his father, Joseph Walter "Joe" Jackson, a steel mill worker who performed with an R&B band called The Falcons. Jackson had three sisters: Rebbie, La Toya, and Janet, and six brothers: Jackie, Tito, Jermaine, Marlon, Brandon (Marlon's twin brother, who died shortly after birth)[3] and Randy.[4]

Jackson had a troubled relationship with his father. He stated that he was physically and emotionally abused during incessant rehearsals, whippings, and name-calling, though he credited his father's discipline for his success.[5] In one altercation recalled by Marlon, Joseph held Michael upside down by one leg and "pummeled him over and over again with his hand, hitting him on his back and buttocks".[6] Joseph would also trip or push his sons into walls. One night while Michael was asleep, Joseph climbed into his room through the bedroom window, wearing a fright mask and screaming. He said he wanted to teach the children not to leave the window open when they went to sleep. For years afterward, Jackson said he suffered nightmares about being kidnapped from his bedroom.[6] Joseph acknowledged in 2003 that he regularly whipped Jackson as a child.[7]

Jackson first spoke openly about his childhood abuse in an interview with Oprah Winfrey broadcast on February 10, 1993. He said that he had often cried from loneliness and would sometimes vomit when he saw his father. In an interview with Martin Bashir, later included in the 2003 broadcast of Living with Michael Jackson, Jackson acknowledged that his father hurt him when he was a child, but was nonetheless a "genius." When Bashir dismissed the positive remark and continued asking about beatings, Jackson put his hand over his face and objected to the questions. He recalled that Joseph sat in a chair with a belt in his hand as he and his siblings rehearsed, and that "if you didn't do it the right way, he would tear you up, really get you".[8][9]

He showed talent early in his life, performing in front of classmates during a Christmas recital in kindergarten. In 1964, he and Marlon joined the Jackson Brothers—a band formed by brothers Jackie, Tito, and Jermaine—as backup musicians playing congas and tambourine. Jackson later began performing backup vocals and dancing; at the age of eight, he and Jermaine assumed lead vocals, and the group's name was changed to The Jackson 5.[4] The band toured the Midwest extensively from 1966 to 1968, frequently performing at a string of black clubs known as the "chitlin' circuit", where they often opened stripteases and other adult acts. In 1966, they won a major local talent show with renditions of Motown hits and James Brown's "I Got You (I Feel Good)", led by Michael.[10]

The Jackson 5 recorded several songs, including "Big Boy", for the local record label Steeltown in 1967, and signed with Motown Records in 1968.[4] Rolling Stone magazine later described the young Michael as "a prodigy" with "overwhelming musical gifts," writing that he "quickly emerged as the main draw and lead singer."[11] The group set a chart record when its first four singles ("I Want You Back", "ABC", "The Love You Save," and "I'll Be There") peaked at number one on the Billboard Hot 100.[4]

Between 1972 and 1975, Jackson released four solo studio albums with Motown, among them Got to Be There and Ben, released as part of the Jackson 5 franchise, and producing successful singles such as "Got to Be There", "Ben", and a remake of Bobby Day's "Rockin' Robin". The group's sales began declining in 1973, and the band members chafed under Motown's strict refusal to allow them creative control or input. Although they scored several top 40 hits, including the top 5 disco single "Dancing Machine" and the top 20 hit "I Am Love", the Jackson 5 left Motown in 1975.[12]
Move to Epic and Off the Wall (1975–1981)

The Jackson 5 signed a new contract with CBS Records in June 1975, joining the Philadelphia International Records division, later Epic Records,[12] and renaming themselves The Jacksons.[13] They continued to tour internationally, releasing six more albums between 1976 and 1984, during which Jackson was the lead songwriter, writing hits such as "Shake Your Body (Down to the Ground)", "This Place Hotel," and "Can You Feel It".[10]

In 1978, he starred as the scarecrow in the musical, The Wiz,[14] and it was here that he teamed up with Quincy Jones, who was arranging the film's musical score. Jones agreed to produce Jackson's next solo album, Off the Wall.[15] In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations.[16]

Jones and Jackson produced the Off the Wall album together. At the album's pre-release party, Michael, himself, stated that Little Richard had a "huge influence" on him.[17] Songwriters for the album included Jackson, Heatwave's Rod Temperton, Stevie Wonder, and Paul McCartney. Released in 1979, it was the first album to generate four U.S. top 10 hits, including the chart-topping singles "Don't Stop 'til You Get Enough" and "Rock with You".[18] It reached number three on the Billboard 200 and eventually sold over 21 million copies worldwide.[19] In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B Album, Favorite Male Soul/R&B Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Music Awards for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B Vocal Performance, also for "Don't Stop 'Til You Get Enough".[18] Despite its commercial success, Jackson felt Off the Wall should have made a much bigger impact, and was determined to exceed expectations with his next release.[20] In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.[21]
Thriller and Motown 25 (1982–1983)

In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Album for Children.[22] That same year Jackson issued his second Epic album, Thriller, which became the most commercially successful album of all time. The album remained in the top 10 of the Billboard 200 for 80 consecutive weeks and 37 of those weeks at the peak position. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It," and "Wanna Be Startin' Somethin'."[23] Thriller was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. It's the Best Selling Album of All Time in this country.[24] It was, and currently remains, the best-selling album of all time, with 110 million copies worldwide.[25] Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of CDs and The Making of Michael Jackson's Thriller, a documentary produced by Jackson and John Landis. Funded by MTV, the documentary sold over 350,000 copies in a few months. The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12.[26] Biographer J. Randy Taraborrelli writes that, "Thriller stopped selling like a leisure item — like a magazine, a toy, tickets to a hit movie — and started selling like a household staple."[27]
MichaelJacksonMoonwalk.ogg
Play video
Jackson debuts the moonwalk during his performance on Motown 25

Time described Jackson's influence at that point as "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".[26] The New York Times wrote that, "in the world of pop music, there is Michael Jackson and there is everybody else".[28]

Jackson's popularity would soar further. On March 25, 1983, he performed live on the Motown 25: Yesterday, Today, Forever television special, both with The Jackson 5 and on his own singing "Billie Jean". Wearing a distinctive sequined glove, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member, Jeffrey Daniel had taught him 3 years before. His performances during the event were seen by 47 million viewers, and drew comparisons to Elvis Presley's and the The Beatles' appearances on The Ed Sullivan Show.[29] Anna Kisselgoff of the The New York Times said, "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing."[30] Ian Inglis, author of Performance and popular music: history, place and time (2006) noted Jackson had created a pivotal turning point in the history of popular music "in that [his performance] marked the shift of emphasis from musical performance to visual presentation. In stark contrast to other, live, performances of Motown 25, Jackson performed to a pre-recorded soundtrack, lip-syncing to his multi-layered pre-recorded voice, thus indicating that the visual reenactment of music video imagery had become and integral, and perhaps dominant, part of live performance."[31] From this performance emerged the origin of music video as the primary source through which artists promote popular music.
Pepsi, "We Are the World" and business career (1984–85)

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi Cola commercial, overseen by executive Philip Dusenberry,[32] at the Shrine Auditorium in Los Angeles. In front of a full house of fans during a simulated concert, pyrotechnics accidentally set Jackson's hair on fire. He suffered second-degree burns to his scalp. Jackson underwent treatment to hide the scars on his scalp, and he also had his third rhinoplasty shortly thereafter.[16] Jackson never recovered from this injury. Pepsi settled out of court, and Jackson donated his $1.5 million settlement to the Brotman Medical Center in Culver City, California, which now has a "Michael Jackson Burn Center" in honor of his donation.[33]
Jackson at the White House South Portico with President Ronald Reagan and first lady Nancy Reagan, 1984

On May 14, 1984, Jackson was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse.[34] Jackson won eight awards during the Grammys that year.

Unlike later albums, Thriller did not have an official tour to promote it, but the 1984 Victory Tour, headlined by The Jacksons, showcased much of Jackson's new solo material to more than two million Americans. He donated his $5 million share from the Victory Tour to charity.[35] He also co-wrote the charity single "We Are the World" in 1985 with Lionel Richie, which was released worldwide to aid the poor in the U.S. and Africa. It became one of the best-selling singles of all time, with nearly 20 million copies sold and millions of dollars donated to famine relief.[36]

In 1985, ATV Music, a music publishing company owning thousands of music copyrights, including the Northern Songs catalogue that contained the majority of the Lennon/McCartney compositions recorded by The Beatles, was put up for sale.[37][38] Jackson had become interested in owning music catalogs after working with Paul McCartney in the early 1980s: Jackson had learned McCartney made approximately $40 million a year from other people's songs. McCartney's attorney assured Jackson's attorney that McCartney was not interested in bidding on ATV: McCartney reportedly said "It's too pricey". However, McCartney later changed his mind and tried to persuade John Lennon's widow Yoko Ono to join him in a joint bid. Ono declined, and McCartney pulled out. Jackson eventually beat the rest of the competition in negotiations that lasted 10 months, purchasing the catalog for $47.5 million.[37][39]
Appearance, tabloids, Bad, autobiography and films (1986–1987)
See also: Michael Jackson's health and appearance

Jackson's skin had been a medium-brown color for the entire duration of his youth, but starting in the mid 1980s, it gradually grew paler. The change gained widespread media coverage, including rumors that he was bleaching his skin.[40] According to J. Randy Taraborrelli's biography, in 1986, Jackson was diagnosed with vitiligo and lupus; the vitiligo partially lightened his skin, and the lupus was in remission; both illnesses made him sensitive to sunlight. (His long-term dermatologist Dr. Arnold Klein confirmed this on Larry King Live, after his death.) The treatments he used for his condition further lightened his skin tone, and, with the application of pancake makeup to even out blotches, he could appear very pale.[41] The structure of his face had also changed: several surgeons speculated that he had undergone multiple nasal surgeries, a forehead lift, thinned lips, and cheekbone surgery.[42]

Jackson lost weight in the early 1980s because of a change in diet and a desire for "a dancer's body".[43] Witnesses reported that he was often dizzy and speculated that he was suffering from anorexia nervosa; periods of weight loss would become a recurring problem later in life.[44] Some medical professionals have said he was suffering from body dysmorphic disorder, a psychological condition whereby the sufferer dislikes his appearance and has no concept of how he is viewed by others.[41] Jackson claimed that he had only two rhinoplasties and no other surgery on his face, although at one point he mentioned having a dimple created in his chin.[43]
Jackson two years after he was diagnosed with vitiligo, here in the early stages of the disease

He became the subject of increasingly sensational reports. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, Jackson had disseminated the fabricated story himself.[45][46] When Jackson bought a chimpanzee called Bubbles from a laboratory, it was reported as an example of increasing detachment from reality.[47] It was reported that Jackson had offered to buy the bones of Joseph Merrick (the "elephant man") and although untrue, Jackson did not deny the story.[45][46] Although initially he saw these stories as publicity, he stopped leaking untruths to the press as they became more sensational, so the media began making up their own stories.[46][48][49]

These reports became embedded in the public consciousness, inspiring the nickname "Wacko Jacko," which Jackson came to despise.[50] Responding to the gossip, Jackson remarked to a reporter:

Why not just tell people I'm an alien from Mars. Tell them I eat live chickens and do a voodoo dance at midnight. They'll believe anything you say, because you're a reporter. But if I, Michael Jackson, were to say, "I'm an alien from Mars and I eat live chickens and do a voodoo dance at midnight," people would say, "Oh, man, that Michael Jackson is nuts. He's cracked up. You can't believe a damn word that comes out of his mouth."[51]

Jackson wore a gold-plated military style jacket with belt in the Bad era

Jackson starred in the 3-D film Captain EO, directed by Francis Ford Coppola. It was the most expensive film produced on a per-minute basis at the time, and was later hosted in Disney theme parks. Disneyland featured the film in its Tomorrowland area for nearly 11 years, while Walt Disney World screened the film in its Epcot theme park from 1986 to 1994.[52] With the industry expecting another major hit, Jackson's first album in five years, Bad (1987), was highly anticipated.[53] It had lower sales than Thriller, but was still a substantial commercial success, spawning seven hit singles in the U.S., five of which ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana") reached number one on the Billboard Hot 100 charts, more than any other album.[54] As of 2008, the album had sold 30 million copies worldwide.[55]

In 1987, Jackson disassociated himself from the Jehovah's Witnesses, in response to their disapproval of the Thriller video.[56] The Bad World Tour began on September 12 that year, finishing on January 14, 1989.[57] In Japan alone, the tour had 14 sellouts and drew 570,000 people, nearly tripling the previous record of 200,000 in a single tour.[58] He broke a Guinness World Record when 504,000 people attended seven sold-out shows at Wembley Stadium. He performed a total of 123 concerts to an audience of 4.4 million people, and gained a further Guinness World Record when the tour grossed him $125 million. During the trip he invited underprivileged children to watch for free, and gave donations to hospitals, orphanages, and other charities.[57]
Autobiography, changing appearance and Neverland (1988–1990)
Jackson performing "The Way You Make Me Feel."

In 1988, Jackson released his first autobiography, Moon Walk, which took four years to complete and sold 200,000 copies.[59] Jackson wrote about his childhood, The Jackson 5, and the abuse he had suffered.[60] He also wrote about his facial appearance, saying he had had two rhinoplastic surgeries and dimple created in his chin.[43] He attributed much of the change in the structure of his face to puberty, weight loss, a strict vegetarian diet, a change in hair style, and stage lighting.[43] Moon Walk reached the top position on The New York Times best sellers' list.[61] The musician then released a film called Moonwalker, which featured live footage and music videos that starred Jackson and Joe Pesci. It debuted atop the Billboard Top Music Video Cassette chart, staying there for 22 weeks. It was eventually knocked off the top spot by Michael Jackson: The Legend Continues.[62]

In March 1988, Jackson purchased land near Santa Ynez, California to build Neverland Ranch at a cost of $17 million. He installed Ferris wheels, a menagerie, and a movie theater on the 2,700-acre (11 km2) property. A security staff of 40 patrolled the grounds. In 2003, it was valued at approximately $100 million.[11][63] In 1989, his annual earnings from album sales, endorsements, and concerts was estimated at $125 million for that year alone.[64] Shortly afterwards, he became the first Westerner to appear in a television ad in the Soviet Union.[62]

His success resulted in him being dubbed the "King of Pop."[65][66][67][68] The nickname was popularized by Elizabeth Taylor when she presented him with the Soul Train Heritage Award in 1989, proclaiming him "the true king of pop, rock and soul."[69] President George H. W. Bush presented him with The White House's special "Artist of the Decade."[70] From 1985 to 1990, he donated $500,000 to the United Negro College Fund, and all of the profits from his single "Man in the Mirror" went to charity.[71][72] Jackson's live rendition of "You Were There" at Sammy Davis Jr.'s 60th birthday celebration received an Emmy nomination.[62]
Dangerous, Heal the World Foundation and Super Bowl XXVII (1991–1993)

In March 1991, Jackson renewed his contract with Sony for $65 million, a record-breaking deal at the time, displacing Neil Diamond's renewal contract with Columbia Records.[63] He released his eighth album Dangerous in 1991. As of 2008, Dangerous had shipped seven million copies in the U.S. and had sold 32 million copies worldwide; it is the most successful new jack swing album of all time.[73][74][75] In the United States, the album's first single "Black or White" was its biggest hit, reaching number one on the Billboard Hot 100 and remaining there for seven weeks, with similar chart performances worldwide.[76] The album's second single "Remember the Time" spent eight weeks in the top five in the United States, peaking at number three on the Billboard Hot 100 singles chart.[77] In 1993, Jackson performed the song at the Soul Train Awards in a chair, saying he had suffered an injury in rehearsals.[78] In the UK and other parts of Europe, "Heal the World" was the biggest hit from the album; it sold 450,000 copies in the UK and spent five weeks at number two in 1992.[77]

Jackson founded the "Heal the World Foundation" in 1992. The charity organization brought underprivileged children to Jackson's ranch to enjoy theme park rides that Jackson had built on the property. The foundation also sent millions of dollars around the globe to help children threatened by war and disease. The Dangerous World Tour began on June 27, 1992, and finished on November 11, 1993. Jackson performed to 3.5 million people in 67 concerts. All profits from the concerts went to the "Heal the World Foundation", raising millions of dollars in relief.[77][79] He sold the broadcast rights to his Dangerous world tour to HBO for $20 million, a record-breaking deal that still stands.[80] Following the illness and death of Ryan White, Jackson helped draw public attention to HIV/AIDS, something that was still controversial at the time. He publicly pleaded with the Clinton Administration at Bill Clinton's Inaugural Gala to give more money to HIV/AIDS charities and research.[81][82]

In a high-profile visit to Africa, Jackson visited several countries, among them Gabon and Egypt.[83] His first stop to Gabon was greeted with a sizable reception of more than 100,000 people in "spiritual bedlam", some of them carrying signs that read, "Welcome Home Michael".[83] In his trip to the Ivory Coast, Jackson was crowned "King Sani" by a tribal chief.[83] He then thanked the dignitaries in French and English, signed official documents formalizing his kingship and sat on a golden throne while presiding over ceremonial dances.[83]

One of Jackson's most acclaimed performances came during the halftime show at Super Bowl XXVII. As the performances began, Jackson was catapulted onto the stage as fireworks went off behind him. As he landed on the canvas, he maintained a motionless "clenched fist, standing statue stance", dressed in a gold and black military outfit and sunglasses; he remained completely motionless for several minutes while the crowd cheered. He then slowly removed his sunglasses, threw them away and began to sing and dance. His routine included four songs: "Jam", "Billie Jean", "Black or White" and "Heal the World". It was the first Super Bowl where the audience figures increased during the half-time show, and was viewed by 135 million Americans alone; Jackson's Dangerous album rose 90 places up the album chart.[40]

Jackson was given the "Living Legend Award" at the 35th Annual Grammy Awards in Los Angeles. "Black or White" was Grammy nominated for best vocal performance. "Jam" gained two nominations: Best R&B Vocal Performance and Best R&B Song.[77]
First child sexual abuse allegations (1993)
Main article: 1993 child sexual abuse accusations against Michael Jackson

Jackson gave a 90-minute interview to Oprah Winfrey in February 1993, his second television interview since 1979. He grimaced when speaking of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood years, admitting that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, stating for the first time that he had vitiligo. The interview was watched by an American audience of 90 million, becoming the fourth most-viewed non-sport program in U.S. history. It also increased awareness of vitiligo, a relatively unknown condition. Dangerous re-entered the album chart in the top 10, more than a year after its original release.[9][40][77]
Once labeled a "Truth Serum", sodium amytal is now considered a mind-altering sedative.

In the summer of 1993, Jackson was accused of child sexual abuse by a 13-year-old boy named Jordan Chandler and his father, Evan Chandler, a dentist.[84] A year after Jackson met the boy, Evan administered sodium amytal to Jordan, a controversial sedative. Jordan told his father that Jackson had touched his penis.[85][86] Jackson initially refused to pay the Chandlers, but due to deteriorating health he could not endure a long trial 'like O.J.'. Evan Chandler and Jackson engaged in unsuccessful negotiations to reach a financial settlement. The negotiations were initiated by Chandler but Jackson did make several counter offers. Jordan told a psychiatrist and later police that he and Jackson had engaged in acts of kissing, masturbation and oral sex, as well as giving a detailed description of what he alleged were the singer's genitals.[87]

The father was tape-recorded discussing his intention to pursue charges, where he said, "If I go through with this, I win big-time. There's no way I lose. I will get everything I want and they will be destroyed forever ... Michael's career will be over". In the same conversation, when asked how this would affect his son, Chandler replied, "That's irrelevant to me...It will be a massacre if I don't get what I want. It's going to be bigger than all us put together...This man [Jackson] is going to be humiliated beyond belief...He will not sell one more record".[86] The recorded conversation was a critical aspect of Jackson's defense against the upcoming allegation made against him. He and his supporters argue that he was the victim of a jealous father whose only goal was to extort money from the singer.[86]

An official investigation began, with Jordan's mother adamant that there was no wrongdoing on Jackson's part. Neverland Ranch was searched; and multiple children and family members denied that Jackson was a pedophile,[87] though his image took a further hit when his older sister, La Toya, accused him of being a pedophile, a statement she later retracted.[88] Jackson agreed to a 25-minute strip search, conducted by police and doctors at his ranch, required to see if a description provided by Jordan of Jackson's genitals was accurate. Doctors concluded there were strong similarities, but it was not a definitive match.[88] His friends said he never recovered from the humiliation. He described the search in an emotional public statement, and proclaimed his innocence.[84]

The tabloids painted him in an extremely unfavorable light.[89] Complaints about them included bias against Jackson, paying for stories about alleged criminal activity, and buying leaked confidential material from the police investigation.[90] On January 1, 1994, Jackson settled with the Chandlers out of court for $22 million, after which Jordan stopped co-operating regarding criminal proceedings. Jackson was never charged, and the state closed its criminal investigation, citing lack of evidence.[91]
First marriage (1994)
Jackson married Lisa Marie Presley (pictured here at Daytona International Speedway in 2005) on May 26, 1994.

In May 1994, Jackson married singer-songwriter Lisa Marie Presley, the daughter of Elvis Presley. They had first met in 1975, during one of Jackson's family engagements at the MGM Grand Hotel and Casino, and were reconnected through a mutual friend in early 1993.[89] They stayed in contact every day over the telephone. As the child molestation accusations became public, Jackson became dependent on Presley for emotional support; she was concerned about his faltering health and addiction to drugs.[92] Presley explained, "I believed he didn't do anything wrong and that he was wrongly accused and yes I started falling for him. I wanted to save him. I felt that I could do it."[93] In a phone call he made to her, she described him as high, incoherent and delusional.[92] Shortly afterwards, she persuaded him to settle the allegations out of court and go into rehabilitation to recover.[92] Jackson proposed to Presley over the telephone towards the fall of 1993, saying, "If I asked you to marry me, would you do it?"[92] They married in the Dominican Republic in secrecy, denying it for nearly two months afterwards.[94] The marriage was, in her words, "a married couple's life ... that was sexually active".[95] At the time, the tabloid media speculated that the wedding was a ploy to prop up Jackson's public image.[94] Jackson and Presley divorced less than two years later, remaining friendly.[96]
HIStory (1995–1997)

In 1995, Jackson merged his ATV Music catalog with Sony's publishing division creating Sony/ATV Music Publishing. Jackson retained half-ownership of the company, earned $95 million upfront as well as the rights to even more songs.[38][97] He then released the double album HIStory: Past, Present and Future, Book I. The first disc, HIStory Begins, was a 15-track greatest hits album, and was later reissued as Greatest Hits – HIStory Vol. I in 2001, while the second disc, HIStory Continues, contained 15 new songs. The album debuted at number one on the charts and has been certified for seven million shipments in the US.[98] It is the best-selling multiple-disc album of all-time, with 21 million copies (42 million units) sold worldwide. [99][76][100] HIStory received a Grammy nomination for best album.[101]
One of many identical statues, positioned throughout Europe to promote HIStory. The statue illustrates the singer's flamboyant clothing and hair style, influenced by military imagery.

The first single released from the album was the double A-side "Scream/Childhood". "Scream" was a duet, performed with Jackson's youngest sister Janet. The single had the highest debut on the Billboard Hot 100 at number five, and received a Grammy nomination for "Best Pop Collaboration with Vocals".[101] "You Are Not Alone" was the second single released from HIStory; it holds the Guinness World Record for the first song ever to debut at number one on the Billboard Hot 100 chart.[64] It was seen as a major artistic and commercial success, receiving a Grammy nomination for "Best Pop Vocal Performance".[101] In late 1995, Jackson was rushed to a hospital after collapsing during rehearsals for a televised performance; the incident was caused by a stress related panic attack.[102] "Earth Song" was the third single released from HIStory, and topped the UK singles chart for six weeks over Christmas 1995; it sold a million copies, making it Jackson's most successful single in the UK.[101] The HIStory World Tour began on September 7, 1996, and finished on October 15, 1997. Jackson performed 82 concerts in 58 cities to over 4.5 million fans. The show, which visited five continents and 35 countries, became Jackson's most successful in terms of audience figures.[57]
Second marriage and fatherhood (1996–1999)

During the Australian leg of the HIStory World Tour, Jackson married dermatology nurse Deborah Jeanne Rowe on November 14, 1996 in an impromptu ceremony close to his Sydney hotel room. She gave birth to Michael's first two children: a son named Michael Joseph Jr (commonly known as Prince), and a daughter, Paris-Michael Katherine.[96][103] Rowe and Jackson first met in the mid-1980s, when Jackson was allegedly diagnosed with vitiligo. She spent many years treating his illness as well as providing emotional support. They built a strong friendship, then became romantically involved.[104] Originally, there were no plans to marry, but following Rowe's first pregnancy, Jackson's mother intervened and persuaded them to do so.[105] The couple divorced in 1999 but remained friends, and Rowe gave full custody of the children to Jackson.[106]

In 1997, Jackson released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of hit singles from HIStory and five new songs. Worldwide sales stand at 6 million copies as of 2007, making it the best selling remix album ever released. It reached number one in the UK, as did the title track.[107][108] In the US, the album was certified platinum, but only reached number 24.[73][101] Forbes placed his annual income at $35 million in 1996 and $20 million in 1997.[63]

Throughout June 1999, Jackson was involved in a number of charitable events. He joined Luciano Pavarotti for a benefit concert in Modena, Italy. The show was in support of the non-profit organization War Child, and raised a million dollars for the refugees of Kosovo, as well as additional funds for the children of Guatemala.[109] Later that month, Jackson organized a set of "Michael Jackson & Friends" benefit concerts in Germany and Korea. Other artists involved included Slash, The Scorpions, Boyz II Men, Luther Vandross, Mariah Carey, A. R. Rahman, Prabhu Deva Sundaram, Shobana Chandrakumar, Andrea Bocelli and Luciano Pavarotti. The proceeds went to the "Nelson Mandela Children's Fund", the Red Cross and UNESCO.[110]
Label dispute, Invincible and third child (2000–2003)

In October 2001, Jackson released Invincible. This was his first album in six years, and it turned out to be the last album of new material he released while still alive. The release of the album was preceded by a dispute between Jackson and his record label, Sony Music Entertainment.

Jackson had expected the licenses to the masters of his albums to revert to him sometime in the early 2000s. Once he had the licenses, he would be able to promote the material however he pleased and he would also be able to keep all the profits. However, due to various clauses in the contract, the revert date turned out to be many years away. Jackson discovered that the attorney who represented him in the deal was also representing Sony, creating a conflict of interest.[108] Jackson was also concerned about another conflict of interest. For a number of years, Sony had been pushing to buy all of Jackson's share in their music catalog venture. Jackson feared that Sony might have something to gain from Jackson's career failing, since if his career did fail he would have to sell his share of the catalog.[111]

These conflicts were utilized by the entertainer to leverage an early exit to his contract.[108] Just before the release of Invincible, Jackson informed the head of Sony Music Entertainment, Tommy Mottola, that he was leaving Sony.[108] As a result, all singles releases, video shootings and promotions concerning the Invincible album were canceled.

In spite of the uproar preceding its release, Invincible came out in October 2001 to much anticipation. Just before the album's release, a special 30th Anniversary celebration at Madison Square Garden occurred in September 2001 to mark the singer's 30th year as a solo artist. Jackson appeared onstage alongside his brothers for the first time since 1984.[112] The show also featured performances by Mýa, Usher, Whitney Houston, 'N Sync, Destiny's Child, Monica, Luther Vandross, and Slash, among other artists.[113] In the wake of the September 11, 2001 attacks, Jackson helped organize the United We Stand: What More Can I Give benefit concert at RFK Stadium in Washington, D.C. The concert was aired on October 21, 2001, and included performances from dozens of major artists, including Jackson, who performed his song "What More Can I Give" as the finale.[111]

Invincible proved to be a hit, debuting atop the charts in 13 countries and going on to sell approximately 13 million copies worldwide. It received double-platinum certification in the US.[73][76][114] However, the sales for Invincible were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general.[111] The album cost $30 million to record, not including promotional expenditures.[115]

Invincible spawned three singles, "You Rock My World", "Cry" and "Butterflies", the latter without a music video.

Jackson alleged in July 2002 that Mottola was a "devil" and a "racist" who did not support his African-American artists, using them merely for his own personal gain.[111] He charged that Mottola had called his colleague Irv Gotti a "fat nigger".[116] Sony refused to renew Jackson's contract, and claimed that a $25 million promotional campaign had failed because Jackson refused to tour in the United States.[115]

Jackson's third child, Prince Michael Jackson II (nicknamed "Blanket") was born in 2002.[117] The mother's identity is unknown, but Jackson has said the child was the result of artificial insemination from a surrogate mother and his own sperm cells.[106] In November of that year, Jackson brought his newborn son onto the balcony of his room at the Hotel Adlon in Berlin, as fans stood below, holding him in his right arm, with a cloth loosely draped over the baby's face. The baby was briefly extended over a railing, four stories above ground level, causing widespread criticism in the media. Jackson later apologized for the incident, calling it "a terrible mistake".[118] Sony released a compilation of Jackson's hits on CD and DVD. In the US, the album was certified platinum by the RIAA; in the UK it was certified for shipments of at least 1.2 million units.[73][119]
Second child sexual abuse allegations (2003–2005)
Further information: Living with Michael Jackson and People v. Jackson
Fans show their support for Jackson after he is accused of child molestation in 2003.

In a series of interviews with Martin Bashir, broadcast in 2003, as Living with Michael Jackson, Jackson was seen holding hands and discussing sleeping arrangements with Gavin Arvizo, 13, who later accused him of sexual abuse.[120] Shortly after the documentary aired, Jackson was charged with seven counts of child molestation and two counts of administering an intoxicating agent in relation to Arvizo.[120] Jackson denied the allegations, saying the sleepovers were not sexual in nature.

During the two years between the charges and the trial, Jackson reportedly became dependent on pethidine (Demerol), and lost a lot of weight. The People v. Jackson began on January 31, 2005, in Santa Maria, California, and lasted five months, until the end of May. On June 13, 2005, Jackson was acquitted on all counts.[121][122][123] After the trial, he relocated to the Persian Gulf island of Bahrain, as a guest of Sheikh Abdullah.[124] A media circus surrounded the event.
Final years (2006–2009)
Michael Jackson with his children in Disneyland Paris, 2006

Reports of financial problems for Jackson became frequent in 2006, after the closure of the main house on the Neverland Ranch as a cost-cutting measure.[125] One prominent financial issue concerned a $270 million loan secured against his music publishing holdings. After delayed repayments on the loan, a refinancing package shifted the loans from Bank of America to debt specialists Fortress Investments. A new package proposed by Sony would have had Jackson borrow an additional $300 million and reduce the interest rate payable on the loan, while giving Sony the future option to buy half of Jackson's stake in their jointly owned publishing company (leaving Jackson with a 25% stake).[97] Jackson agreed to a Sony-backed refinancing deal, although details were not made public.[126] Despite these loans, according to Forbes, Jackson was still making as much as $75 million a year from his publishing partnership with Sony alone.[127]

Jackson was awarded the Diamond Award on November 15, 2006, for selling over 100 million albums, at the World Music Awards.[76] Following the death of James Brown, Jackson returned to the U.S. to pay tribute during Brown's public funeral on December 30, 2006.[128] In late 2006, he agreed to share joint custody of his first two children with ex-wife Debbie Rowe.[129] Jackson and Sony bought Famous Music LLC from Viacom in 2007. This deal gave him the rights to songs by Eminem, Shakira and Beck, among others.[130]

I've been in the entertainment industry since I was six-years-old... As Charles Dickens says, "It's been the best of times, the worst of times." But I would not change my career... While some have made deliberate attempts to hurt me, I take it in stride because I have a loving family, a strong faith and wonderful friends and fans who have, and continue, to support me.[131]
—Michael Jackson

The 25th anniversary of Thriller was marked by the release of Thriller 25, recorded in Ireland,[132] it featured the previously unreleased song "For All Time" and re-mixes. Two remixes were released as singles to moderate success: "The Girl Is Mine 2008" and "Wanna Be Startin' Somethin' 2008". Thriller 25 sold well as a re-issue, peaking at number one in eight countries and Europe.[133][134][135] In 12 weeks Thriller 25 sold over three million copies worldwide.[136] To celebrate Jackson's 50th birthday, Sony BMG released a series of compilation albums called King of Pop.[137][138] King of Pop did reach the top 10 in most countries where it was issued, and also sold well as an import in other countries.[139][140]

Fortress Investments threatened to foreclose on Neverland Ranch, which Jackson used as collateral for loans running into many tens of millions of dollars. However, Fortress opted to sell Jackson's debts to Colony Capital LLC. In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, which was a joint venture between Jackson and Colony Capital LLC. This deal cleared Jackson's debt, and he reportedly even gained an extra $35 million from the venture. At the time of his death, Jackson still owned a stake in Neverland/Sycamore Valley, but it is unknown how large that stake was.[141][142][143]

In September 2008, financial concerns prompted Jackson to enter negotiations with Julien's Auction House to display and auction a large collection of memorabilia amounting to approximately 1390 lots. The auction was scheduled to take place between April 22 and April 25.[144] Though an exhibition of the lots opened on 9900 Wilshire Blvd between April 14 and 25, the auction was eventually cancelled at Jackson's request.[145]
Jackson rehearsing at Staples Center two days before his death.

In March 2009, Jackson announced at London's O2 arena that he would perform in major comeback concerts titled This Is It, at the said arena. The shows were to be Jackson's first major series of concerts since the HIStory World Tour finished in 1997, and had been cited as one of the year's most important musical events with over one million people attending in total. Jackson suggested possible retirement after the shows; in his own words it would be his "final curtain call". Although initially a 10 date concert, it was increased to 50 dates after record breaking ticket sales. Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer/director Kenny Ortega.[146] The concerts would have commenced on July 13, 2009 and finished on March 6, 2010. Less than three weeks before the first show was due to begin in London and with all concerts being sold out, Jackson died of a cardiac arrest.[147]

AEG Live, the concert promoters, released a promotional video that took up an entire commercial break, setting a record for ITV. According to Jackson's website, ticket sales for the concerts broke several records.[148] Randy Phillips, president and chief executive of AEG Live, stated that the first 10 dates alone would have earned the singer approximately £50 million.[149] It has now been confirmed that Columbia Pictures are to make a feature documentary concert-film from the rehearsal and pre-recorded footage.[150][151] The contract for the film stipulates that a cut of the film must be screened for Jackson's estate, which stands to receive 90 percent of the profits. A final cut was done on October 28, 2009, for a limited 2 week run in theatres worldwide.[152]

A new single titled "This Is It" was released on October 12, 2009, with a new album of the same name, This Is It which was released worldwide on October 26, 2009, and in North America on October 27, 2009, the day before the Michael Jackson's This Is It documentary film. Two versions of the new song appear on the second "This Is It" album's first disc, which also features original masters of Michael Jackson's hits in the order in which they appear in the movie. The album's second disc features previously unreleased versions of more Jackson hits, as well as a previously unheard spoken word poem entitled "Planet Earth." [153]
Death and memorial
Main articles: Death of Michael Jackson and Michael Jackson memorial service
Jackson's fans paid tribute to him at his star on the Hollywood Walk of Fame, shortly after the announcement of his death.

On June 25, 2009, Jackson collapsed at his rented mansion at 100 North Carolwood Drive in the Holmby Hills district of Los Angeles. Attempts at resuscitating him by his personal physician were unsuccessful.[154] Los Angeles Fire Department paramedics received a 911 call at 12:22 p.m. (PDT), arriving three minutes later at Jackson's location.[155][156] He was reportedly not breathing and CPR was performed.[157] Resuscitation efforts continued en route to the Ronald Reagan UCLA Medical Center, and for an hour after arriving there at 1:13 p.m. (20:13 UTC).[154] He was pronounced dead at 2:26 p.m. local time (21:26 UTC).[158][159]

The memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Jackson's casket was present during the memorial but no information was released about the final disposition of the body. While some unofficial reports claimed a worldwide audience as high as one billion people [160] the U.S. audience was estimated by Nielsen to be 31.1 million, an amount comparable to the estimated 35.1 million that watched the 2004 burial of President Ronald Reagan, and the estimated 33.1 million Americans who watched the 1997 funeral for Princess Diana.[161]

Stevie Wonder, Lionel Richie, Mariah Carey, John Mayer, Jennifer Hudson, Usher, Jermaine Jackson, and Shaheen Jafargholi performed at the event. Berry Gordy and Smokey Robinson gave eulogies, while Queen Latifah read, "We had him," a poem written for the occasion by Maya Angelou.[162] The Reverend Al Sharpton received a standing ovation with cheers when he told Jackson's children, "Wasn't nothing strange about your Daddy. It was strange what your Daddy had to deal with. But he dealt with it anyway."[163] Jackson's 11-year-old daughter, Paris Katherine, cried as she told the crowd, "Ever since I was born, Daddy has been the best father you could ever imagine ... I just wanted to say I love him ... so much."[164]

On August 24, multiple news outlets quoted anonymous sources as stating that the Los Angeles coroner had decided to treat Jackson's death as a homicide; this was later confirmed by the coroner on August 28.[165][166] At the time of death, Jackson had been administered propofol, lorazepam and midazolam.[167] Law enforcement officials are currently conducting a manslaughter investigation of his personal physician, Conrad Murray.[168] Jackson was buried on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.[169]
Artistry
Influences

Jackson's music genre takes roots in R&B, Motown's music, pop and soul. He had been influenced by the work of contemporary musicians such as Little Richard, James Brown, Jackie Wilson, Diana Ross, David Ruffin, Gene Kelly, Fred Astaire, Sammy Davis, Jr. and the Bee Gees. [170] He was also an admirer of performers from the English music hall tradition, such as Benny Hill and Charlie Chaplin.

While Little Richard had a huge influence on Jackson,[17] James Brown was for him and since early childhood, his greatest inspiration: "the master" or "a genius" especially when he was playing with its group, the Famous Flames, qualifying its performance of "phenomenal". He declared: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."[171]

At first, the young Michael Jackson owes his vocal technique in large part to Diana Ross. In October 1969, it was decided that Michael would live with Diana Ross. Not only a mother figure to him, he often observed her in rehearsal as an accomplished performer. He later confessed: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang - just the way she was." He told her: 'I want to be just like you, Diana'. She said: 'You just be yourself.'"[172] But Michael especially owned his oooh's from Diana Ross. At first, Michael almost always punctuated his verses of oooh. Not a long oooh but rather a sudden exclamation. Diana Ross used this effect on many of the songs recorded with the The Supremes, and young Michael was delighted to take ownership.[173]
Musical themes and genres

Steve Huey of Allmusic said that, throughout his solo career, Jackson's versatility allowed him to experiment with various themes and genres.[174] As a musician, he ranged from Motown's dance fare and ballads to techno and house-edged new jack swing to work that incorporates both funk rhythms and hard rock guitar.[11]

Unlike many artists, Jackson did not write his songs on paper. Instead he would dictate into a sound recorder; when recording he would sing from memory.[16][175] Several critics observed Off the Wall was crafted from funk, disco-pop, soul, soft rock, jazz and pop ballads.[174][176][177] Prominent examples include the ballad "She's Out of My Life", and the two disco tunes "Workin' Day and Night" and "Get on the Floor".[176]

According to Huey, Thriller refined the strengths of Off the Wall; the dance and rock tracks were more aggressive, while the pop tunes and ballads were softer and more soulful.[174] Notable tracks included the ballads "The Lady in My Life", "Human Nature" and "The Girl Is Mine"; the funk pieces "Billie Jean" and "Wanna Be Startin' Somethin'"; and the disco set "Baby Be Mine" and "P.Y.T. (Pretty Young Thing)".[174][178][179][180] With Thriller, Christopher Connelly of Rolling Stone commented that Jackson developed his long association with the subliminal theme of paranoia and darker imagery.[180] Allmusic's Stephen Thomas Erlewine noted this is evident on the songs "Billie Jean" and "Wanna Be Startin' Somethin'".[179] In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers.[174] In "Wanna Be Startin' Somethin'" he argues against gossip and the media.[180] The anti-gang violence rock song "Beat It" became a homage to West Side Story, and was Jackson's first successful rock cross-over piece, according to Huey.[11][174] He also observed that the title track "Thriller" began Jackson's interest with the theme of the supernatural, a topic he revisited in subsequent years.[174] In 1985, Jackson co-wrote the charity anthem "We Are the World"; humanitarian themes later became a recurring theme in his lyrics and public persona.[174]

"Thriller"
Play sound
One of Jackson's signature pieces, "Thriller", released as a single in 1984, utilizes cinematic sound effects, horror film motifs and vocal trickery to convey a sense of danger.[15]
"Smooth Criminal"
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A single from the album Bad, released 1988, "Smooth Criminal" features digital drum sounds, keyboard-created bass lines and other percussion elements designed to give the impression of a pulsing heart.[181]
Problems listening to these files? See media help.

In Bad, Jackson's concept of the predatory lover can be seen on the rock song "Dirty Diana".[182] The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution.[53] "Smooth Criminal" was an evocation of bloody assault, rape and likely murder.[53] Allmusic's Stephen Thomas Erlewine states that Dangerous presents Jackson as a stark paradoxical individual.[183] He comments the album is more diverse than his previous Bad, as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World".[183] The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time".[184] The album is Jackson's first where social ills become a primary theme; "Why You Wanna Trip on Me", for example, protests against world hunger, AIDS, homelessness and drugs.[184] Dangerous contains sexually charged efforts like "In the Closet", a love song about desire and denial, risk and repression, solitude and connection, privacy and revelation.[184] The title track continues the theme of the predatory lover and compulsive desire.[184] The second half includes introspective, pop-gospel anthems such as "Will You Be There", "Heal the World" and "Keep the Faith"; these songs show Jackson finally opening up about various personal struggles and worries.[184] In the ballad "Gone Too Soon", Jackson gives tribute to his friend Ryan White and the plight of those with AIDS.[185]

HIStory creates an atmosphere of paranoia.[186] Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media.[187] In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces.[186][187] In the track "D.S.", Jackson launched a verbal attack against Tom Sneddon. He describes Sneddon as an antisocial, white supremacist who wanted to "get my ass, dead or alive". Of the song, Sneddon said, "I have not — shall we say — done him the honor of listening to it, but I’ve been told that it ends with the sound of a gunshot".[188] Invincible found Jackson working heavily with producer Rodney Jerkins.[174] It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes hip hop, pop and rap in "2000 Watts", "Heartbreaker" and "Invincible".[189][190]
Vocal style

Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson's voice descended from boy soprano to high tenor.[191] Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It's Too Late to Change the Time" from the Jackson 5's G.I.T.: Get It Together album.[192] Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of Off the Wall: it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video.[12]

With the arrival of Off the Wall in the late 1970s, Jackson's abilities as a vocalist were well regarded. At the time, Rolling Stone compared his vocals to the "breathless, dreamy stutter" of Stevie Wonder. Their analysis was also that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly".[176][177] 1982 saw the release of Thriller, and Rolling Stone was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness".[180]

"Black or White"
Play sound
The lead single from Dangerous, the danceable hard rock song "Black or White" was one of Jackson's most successful recordings.[193][194][195] It contains many features of Jackson's vocal style, including the vocal hiccup he is known for.

Gritty lead vocals on the verse were displayed by the release of "Bad" in 1987 and lighter tones employed on the chorus.[15] A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelt "cha'mone" or "shamone", is also a staple in impressions and caricatures of him.[196] The turn of the 1990s saw the release of the introspective album Dangerous. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone".[184] When singing of brotherhood or self-esteem the musician would return to "smooth" vocals.[184]

When commenting on Invincible, Rolling Stone were of the opinion that—at the age of 43—Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies".[197] Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".[181]
Music videos and choreography

Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers.[174] According to director Vincent Paterson, who collaborated with the singer on several music videos, Jackson conceptualized many of the darker, bleak themes in his filmography.[198]
US patent 5255452, filed by Jackson, described the anti-gravity lean used in the music video for "Smooth Criminal".

Before Thriller, Jackson struggled to receive coverage on MTV, allegedly because he was African American.[199] Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition.[200] MTV employees deny any racism in their coverage, or pressure to change their stance. MTV maintains that they played rock music, regardless of race.[201] The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B.[200][202] His performance on Motown 25: Yesterday, Today, Forever changed the scope of live stage show; "That Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience" thus creating an era in which artists re-create the spectacle of music video imagery on stage.[31] Short films like Thriller largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated.[203] The choreography in Thriller has become a part of global pop culture, replicated everywhere from Indian films to prisons in the Philippines.[204] The Thriller short film marked an increase in scale for music videos, and has been named the most successful music video ever by the Guinness World Records.[64]

In the 19-minute music video for "Bad"—directed by Martin Scorsese—Jackson began using sexual imagery and choreography not previously seen in his work. He occasionally grabbed or touched his chest, torso and crotch. While he has described this as "choreography," it garnered a mixed reception from both fans and critics; Time magazine described it as "infamous". The video also featured Wesley Snipes; in the future Jackson's videos would often feature famous cameo roles.[48][205] For "Smooth Criminal", Jackson experimented with an innovative "anti-gravity lean" in his performances, for which he was granted U.S. Patent No. 5,255,452.[206] Although the music video for "Leave Me Alone" was not officially released in the US, in 1989, it was nominated for four Billboard Music Video Awards, winning three; the same year it won a Golden Lion Award for the quality of the special effects used in its production. In 1990, "Leave Me Alone" won a Grammy for Best Music Video, Short Form.[62]

The MTV Video Vanguard Artist of the Decade Award was given to Jackson to celebrate his accomplishments in the art form in the 1980s; the following year the award was renamed in his honor.[77] "Black or White" was accompanied by a controversial music video, which, on November 14, 1991, simultaneously premiered in 27 countries with an estimated audience of 500 million people, the largest viewing ever for a music video.[76] It featured scenes construed as having a sexual nature as well as depictions of violence. The offending scenes in the final half of the 14-minute version were edited out to prevent the video from being banned, and Jackson apologized.[207] Along with Jackson, it featured Macaulay Culkin, Peggy Lipton and George Wendt. It helped usher in morphing as an important technology in music videos.[208]
Jackson and sister Janet angrily retaliate against the media for misrepresenting them to the public. The acclaimed video for "Scream" was shot primarily in black and white, and at a cost of $7 million.

"Remember the Time" was an elaborate production, and became one of his longest videos at over nine minutes. Set in ancient Egypt, it featured groundbreaking visual effects and appearances by Eddie Murphy, Iman and Magic Johnson, along with a distinct complex dance routine.[209] The video for "In the Closet" was Jackson's most sexually provocative piece. It featured supermodel Naomi Campbell in a courtship dance with Jackson. The video was banned in South Africa because of its imagery.[77]

The music video for "Scream", directed by Mark Romanek and production designer Tom Foden, is one of Jackson's most critically acclaimed. In 1995, it gained 11 MTV Video Music Award Nominations—more than any other music video—and won "Best Dance Video", "Best Choreography", and "Best Art Direction".[210] The song and its accompanying video are a response to the backlash Jackson received from the media after being accused of child molestation in 1993.[211] A year later, it won a Grammy for Best Music Video, Short Form; shortly afterwards Guinness World Records listed it as the most expensive music video ever made at a cost of $7 million.[101][212]

"Earth Song" was accompanied by an expensive and well-received music video that gained a Grammy nomination for Best Music Video, Short Form in 1997. The video had an environmental theme, showing images of animal cruelty, deforestation, pollution and war. Using special effects, time is reversed so that life returns, wars ends, and the forests re-grow.[101][213] Released in 1997 and premiering at the 1996 Cannes Film Festival, Ghosts was a short film written by Jackson and Stephen King and directed by Stan Winston. The video for Ghosts is over 38 minutes long and holds the Guinness World Record as the world's longest music video.[101][108][214][215]
Legacy and influence
See also: Records and achievements of Michael Jackson and List of awards received by Michael Jackson
Jackson's star on the Hollywood Walk of Fame, set in 1984

Jackson transformed the art of the music video and paved the way for modern pop music in his own country. Jackson's work, distinctive musical sound and vocal style have influenced scores of hip hop, rock, pop and R&B artists, including Beyonce,[216] Mariah Carey,[217] Usher,[218] Chris Brown,[219] Britney Spears,[217] Madonna,[220] Justin Timberlake,[111] Ludacris,[221] 50 Cent, The Game,[222] Fall Out Boy,[223] Green Day,[224] Miley Cyrus, John Mayer,[225] Lenny Kravitz,[226] and R. Kelly.[181] For much of his career, he had an "unparalleled" level of worldwide influence over the younger generation through his musical and humanitarian contributions.[227] Jackson's videos and music helped break down racial barriers when first shown on MTV, putting the relatively new channel on the map, changing its focus from rock to pop music and R&B, and therefore shaping it to what it is today. Jackson remained a staple on MTV through the 90s. In a way, he proved to be a good dancer was a must for any male star of pop music, as wrote the Brazilian journalist Sergio Martins in his article about the artist and his death on Veja magazine.[228]

Shortly after his death on June 25, 2009, MTV briefly returned to its original music video format to celebrate and pay tribute to his work.[229] The channel aired many hours of Jackson's music videos, accompanied by live news specials featuring reactions from MTV personalities and other celebrities. The temporary shift in MTV's programming culminated the following week with the channel's live coverage of Jackson's memorial service.[230] Years ago, the music video for Thriller showed the video clip as a key way of providing music and helped make MTV a decisive force among younger people.[231] Walter Yetnikoff, then president of CBS, insisted that the channel — which ignored the black music artists — exhibited the clip of 14 minutes.[231] Today, rap and rhytm'n'blues are the hegemonic style of MTV.[231]

Michael Jackson was inducted onto the Hollywood Walk of Fame in 1984. Throughout his career he received numerous honors and awards, including the World Music Awards' Best-Selling Pop Male Artist of the Millennium, the American Music Award's Artist of the Century Award and the Bambi Pop Artist of the Millennium Award.[113][232] He was a double-inductee of the Rock and Roll Hall of Fame, once as a member of The Jackson 5 in 1997 and later as a solo artist in 2001. Jackson was also an inductee of the Songwriters Hall of Fame in 2002.[113] His awards include multiple Guinness World Records (eight in 2006 alone), 13 Grammy Awards, 22 American Music Awards (20 only as a solo artist, including one for "artist of the century"), 13 number one singles in his solo career—more than any other male artist in the Hot 100 era—and estimated sales between 350 and 750 million records worldwide, making him the world's best selling male solo pop artist.[22][64][76][233][234][235][236]
Queues for a Michael Jackson concert in West Berlin in June 1988

He was characterized as "an unstoppable juggernaut, possessed of all the tools to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility and loads of sheer star power".[174] In the mid-1980s, Time noted "Jackson is the biggest thing since The Beatles. He is the hottest single phenomenon since Elvis Presley. He just may be the most popular black singer ever".[26] By 1990, Vanity Fair had already cited Jackson as the most popular artist in the history of show business.[62] Daily Telegraph writer Tom Utley called him an "extremely important figure in the history of popular culture" and a "genius".[237] In late 2007, Jackson said the following of his work and future influence, "Music has been my outlet, my gift to all of the lovers in this world. Through it, my music, I know I will live forever."[238]

His total lifetime earnings from royalties on his solo recordings and music videos, revenue from concerts and endorsements have been estimated at $500 million; some analysts have speculated that his music catalog holdings could be worth billions of dollars.[63][239] This speculation however is contradicted by financial documents obtained by the Associated Press, which showed that as of March 31, 2007, Jackson's 50 percent stake in the Sony/ATV Music Publishing catalog (his most prized asset) was worth $390.6 million and Michael Jackson’s net worth was $236 million.[240] As one of the world's most famous men, Jackson's highly publicized personal life, coupled with his successful career, made him a part of popular culture for the last four decades.[76][241]

Furies

List of gangs in The Warriors
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The 1979 film The Warriors and the 2005 video game of the same name, set circa 1978 and 1979, both revolve heavily around numerous fictional street gangs, biker gangs and crime syndicates. Each gang has a different background as well as members of different races or ethnic groups and control their own turf in New York City. The film revolves primarily around the Warriors gang, but the game is set in the months leading up to the events of the film and introduces more gangs in better detail.
Contents
[hide]

* 1 Rank
* 2 Gangs in The Bronx
o 2.1 Moonrunners
o 2.2 Orphans
o 2.3 Turnbull AC's
o 2.4 Van Cortlandt Rangers
* 3 Gangs in Brooklyn
o 3.1 Destroyers
o 3.2 Jones Street Boys
o 3.3 Saracens
o 3.4 Satan's Mothers
o 3.5 The Warriors
* 4 Gangs in Manhattan
o 4.1 Baseball Furies
o 4.2 Boppers
o 4.3 Electric Eliminators
o 4.4 Gramercy Riffs
o 4.5 Hi-Hats
o 4.6 Hurricanes
o 4.7 Lizzies
o 4.8 Panzers
o 4.9 Punks
o 4.10 Rogues
o 4.11 Savage Huns
* 5 External links

[edit] Rank

Gangs in The Warriors have a specific, military-like ranking system. The ranks, from highest to lowest, are as follows:

* Warlord: The Warlord, or Overlord, is the highest-ranking member of a gang. Warlords are usually older, more experienced and better fighters than other members. They must also be level-headed and have a good knowledge of combat.
* Warchief: A Warchief is a gang's second-in-command and often acts as leader when the Warlord is absent or if something bad happens to the Warlord.
* Lieutenant: A gang's lieutenants are the third-highest ranking members. There is usually more than one lieutenant.
* Soldier: A soldier, or full member of a gang is a low-ranking but official gang member. This is the most common rank that members rise to.
* New Blood: A new blood is a newly-recruited member. Every gang member must go through a period as a new blood to prove themselves to full members of the gang. Certain gangs will reward their members with a vest or patch when they complete this period.

[edit] Gangs in The Bronx
[edit] Moonrunners

The Moonrunners are a graffiti artist gang from Pelham Bay. They are predominantly Black, with a few White members and wear purple vests with silver jackets. Their Warchief and Lieutenants wear red jackets, however. Their hangout is the Pelham Bay Metropolitan Transit Authority depot, where they often spray their tags onto subway trains. They are bitter rivals of the Van Cortlandt Rangers.

In the film, they are shown making their way to Cyrus' meeting and in the video game, they appear in Level 6 (Writer's Block) where The Hi-Hats host a set-up graffiti art competition, invite a number of gangs and then attack them. They also appear in Level 13 (All-City) where The Warriors invade their turf in order to mark the newly manufactured trains.
[edit] Orphans

The Orphans are a bottom-of-the-barrel gang, led by Sully, a coward and poor fighter, and are known to be one of the weakest gangs in New York, with a maximum of around thirty members at full-strength. Their uniform consists of a green T-shirt with 'ORPHANS' written on the back in black, and blue jeans. All of their members appear to be White or Hispanic.

In the film, they confront The Warriors when they leave the local Subway station and walk through their turf, Tremont. The Warriors leader, Swan, explains that they were on their way home from the meeting but their train was stopped because of a fire, so they had to get off and walk. Sully is about to let them through, however, Sully's girlfriend Mercy Instigates a confrontation. It appears that The Orphans were not even told about the meeting. This implies that they are considered to be a joke to the gangs that are under the Gramercy Riffs' network.

In the game, the Orphans are encountered twice. The first time is in the fifth level (Real Heavy Rep), in which Sully, has told the DJ that the Orphans have wrecked the Warriors, hoping to gain even more reputation than he already has. The Warriors hear this claim on the radio, and Cleon and Fox take the newly-recruited Warriors to Tremont to test them as well as restore their growing reputation, and teach the Orphans a lesson, which obviously would never happen. The second encounter occurs in the fifteenth level (No Pemrits, No Parley), and the first and final parts of this level follow the encounter seen in the film. The middle of the level shows the Warriors fighting Orphans, in which case the Warriors win, the police and other gangs in an attempt to get to the next subway station.
[edit] Turnbull AC's

The Turnbull AC's, or simply Turnbulls or AC's, are an anarchistic, hardcore punk gang from Gun Hill Road. Their logo is a bull's head sandwiched between the words Turnbull and AC's. They have Black and White members, who all have shaven heads and drive around in an old, graffiti-covered school bus. Their hang-out is located in a truck yard but they also frequent a bar called The Red Devil. Some of their lieutenants are Birdie, Sid and Thrash. They commonly use knives and machetes as weapons.

During the events of the film as depicted in the game, the Turnbulls are the Warrior's most aggressive pursuers, hunting them as they attempt to make the train station. In the video game, Birdie was killed in retaliation for having his gang ambush two of the Warriors in Level 11 (Boys In Blue). They also appear in Level 14 (Desperate Dudes), which is simply a recreation of the events of the film.
[edit] Van Cortlandt Rangers

The Van Cortlandt Rangers, or VC Rangers, are a Black gang from Van Cortlandt Park. They wear white shirts with purple stripes (reverse for their Warchief and Lieutenants) and fedora hats. They were invited to the Gramercy Riffs' meeting, which was held on their home turf, and are bitter rivals of the Moonrunners.

They are shown very little in both the film and video game. So little that when used in Rumble mode in the video game they are addressed by the DJ as if they were a created or fictitious gang, and their name is abbreviated to VC Rangers using only ten spaces as you can only do when naming a created gang. While gangs such as Electric Eliminators uses well over ten spaces.
[edit] Gangs in Brooklyn
[edit] Destroyers

The Destroyers were once the most powerful gang in Coney Island but lost control and eventually disbanded after their leader, Virgil, a cocaine-addicted alcoholic, attempted to get Cleon, his Warchief, killed in a set-up drug deal with the Satan's Mothers. After surviving the assault, Cleon then rebelled and established his own gang, the Warriors, made up of several former Destroyers. Virgil was eventually violently deposed and his gang destroyed in retaliation for the murder of Ash, one of the Warrior's New Bloods. Their members wore sleevless denim jackets with the Destroyers logo embroided on the back. Their hang-out was a large warehouse in Eastern Coney Island, with a mural of Virgil painted on the side.

They only appeared in the video game.
[edit] Jones Street Boys

The Jones Street Boys, or JSB's, are a cocky bunch of trust fund kids who live in a world where money is no object and petty crime is just a thrill ride. All of their members are White and wear black and gold-striped, or sometimes black and white, shirts. The JSB's turf is Bensonhurst and Bay Ridge, and they are led by Knox. They are bitter rivals of the Saracens and are known to commonly use wrenches, crowbars and lead pipes as weapons during fights.

They are shown at the meeting during the film. In the game, they appear in Level 12 (Set Up) and are working with dirty cops to keep the Saracens at bay. For an assist, the Saracens consult the Warriors, who proceed to kill two birds with one stone: they frame both the JSB's and the cops by planting stolen goods on them. In return for their help, the Saracens secure a place for the Warriors on the Gramercy Riffs' network. Lemmy, of The Destroyers, supplied them with drugs. It is unknown if this was on an industrial scale or simply for recreational use, however.
[edit] Saracens

The Saracens are a gang from Bensonhurst who have a long-running rivalry with the Jones Street Boys. They wear black vests with white trim but their Warchief and Lieutenants wear white vests with black trim, with the exception of their leader, Edge. It appears that most of the members are White, but there are some Black members. The Saracens' logo is a cobra with a scimitar in its mouth. The Saracens seem to have some form of a relationship with the Electric Eliminators. In the second flashback level, King of the Hill, the Saracens and Eliminators are seen patting each other on the backs. Later, during the conclave after Cyrus is murdered, two members of the Saracens are seen helping some Eliminators scale a wall to escape the park. They are also allies of the Gramercy Riffs.

The Saracens are seen during the intro of the film, walking down a subway platform. In the video game, they have a bigger role. They enlist the help of the Warriors to take down the Jones Street Boys, their rival gang in Level 12 (Set Up). The JSB's are working with some corrupt police officers to keep the heat on the Saracens. If the Warriors can break up the deal, the Saracens will put a word in for them with the Gramercy Riffs to invite them to a huge meet in the Bronx.
[edit] Satan's Mothers

The Satans Mothers Motorcycle Club (SMMC), commonly known as simply the Satan's Mothers or Mothers, are an outlaw motorcycle gang from Sheepshead Bay, responsible for drug distribution throughout Brooklyn and New Jersey. Their members dress in typical biker fashion and wear leather vests with their logo (Satan's face, sandwiched between the top rocker, reading Satans, and bottom rocker, reading Mothers) on the back. Their vests also have the letters MC (Motorcycle Club) on the back. They are one of the most powerful gangs in New York City and are led by Tiny and Spider. They are loosely based on the Hells Angels.

In the film, they can be seen at the meeting and in the video game, they pursue Cleon and Vermin of The Destroyers after they attempt to rip them off in a drug deal (actually a set-up by The Destroyers leader, Virgil). They chase them to a warehouse roof but are defeated by the pair in the ensuing fight. This happens in Flashback Level A (Roots). Their fights with the Savage Huns are often mentioned by the DJ on the radio, but it is implied that they were once allies.
[edit] The Warriors
Main article: The Warriors (gang)

The Warriors, sometimes referred to as the Coney Island Warriors, are the main gang in both the film and the video game. Their turf is Western Coney Island and it is mentioned in a deleted scene from the film that they are a "street family of 120, plus affiliates.". Their main hang-out is located near the amusements and Deno's Wonder Wheel. The Warriors have members of a number of races and wear red leather vests with the gang's logo (a death's head adorned with a Native American warbonnet patterned to resemble up-turned wings) on the back.

The Warriors were formed in 1978 when Cleon and Vermin split from The Destroyers, the original gang in Coney Island. The Destroyers and Warriors then became rivals and fought over the right to rule Coney Island. The Warriors eventually won the war and The Destroyers ceased to exist from that point on.

After hearing rumours about an upcoming gang meeting, The Warriors decided to increase their reputation by battling other gangs in the hope of being noticed. The Saracens promised to put a word in for them with the Gramercy Riffs to invite them to the meet if they helped them out by framing members of the Jones Street Boys. The Warriors planted drugs in the JSBs' hang-out and were eventually put on the 'Riffs' network'.

In 1979, The Warriors were invited to the midnight summit in Van Cortlandt Park, The Bronx by Cyrus, the leader of the Gramercy Riffs. All gangs invited were asked to send nine unarmed representatives to the conclave. The nine members sent by the Warriors were Cleon (Warlord), Swan (Warchief), Fox (scout), Rembrandt (the gang's graffiti artist), Ajax, Cochise, Cowboy, Snow and Vermin.

The Warriors then had to fight their way back to Coney Island after The Rogues shot and killed Cyrus, the leader of the Riffs, and blamed it on them. On the way back, they encountered numerous gangs including The Turnbull AC's, The Baseball Furies, The Orphans, The Punks and The Lizzies. Cleon and Fox were killed by gangs and the police and Ajax was arrested while trying to battle their way back home. When they finally reached Coney, they came face-to-face with The Rogues and were preparing to fight. The Riffs interrupted, however, and revealed that they had been told who really killed their leader. The Warriors then headed home as the Riffs swarmed The Rogues.
[edit] Gangs in Manhattan
[edit] Baseball Furies

The Baseball Furies, or simply The Furies, are a gang from Riverside Park, the baseball fields in particular. Their leader is Cobb. They are a New York Yankees-inspired gang in white pinstriped baseball uniforms with the Furies logo embroidered on the back, wielding baseball bats and wearing facial makeup similar to that of the rock group KISS, only multicolored instead of black and white. Their Warchief and Lieutenants wear black pinstriped uniforms. They are never heard to speak; this adds to their frightening presence and mysterious intentions. The Furies were created because of Walter Hill's love for baseball and the band KISS.

In the film, they chase the Warriors through Riverside Park, but prove ineffective fighters during the ensuing brawl. In the video game, The Furies are encountered twice. The first time is in Level 4 (Blackout) they are first spotted beating up a pair of Rogues and then chase three of the Warriors (Vermin, Snow and Ash) to the Subway station. The second encounter occurs in Level 16 (Home Run). The first two portions of this level are recreations of the iconic chase scene and Riverside park fight from the film. The final portion of the level takes place in the Riverside Park Rotunda and pits the Warriors against Cobb, the Furies' leader.
[edit] Boppers

The Boppers are an all-Black gang from West Harlem, and their usual hangout is a disco hall named Club 45. They are also found in a pool hall and The Black Cat Lounge, a strip club. Their members who mostly speak in jive and wear purple waistcoats and fedoras, black shirts and cream-coloured trousers. Their Warchief and Lieutenants wear gold long-sleeved shirts with their vests. They are bitter rivals of the Hurricanes, who hail from East Harlem.

The Boppers are seen in the film walking down a subway platform during the intro, and later at Cyrus' meeting. In the video game, they appear in Flashback Level E (Sharp Dressed Man), in which the Warriors must gain entry to a Boppers-owned night club before beating up Big Moe, their leader, and stealing his hat.
[edit] Electric Eliminators

The Electric Eliminators, or simply the Eliminators, are an all-White break dancing gang who wear purple t-shirts and shiny gold jackets with their logo on the back, and sometimes black fingerless gloves. They are bitter rivals of the Hi-Hats, who also hail from SoHo.

In the film, they are shown making their way to the meeting and scaring civilians in the subway. They appear in Level 6 (Writer's Block) in the video game, where the Hi-Hats host a set-up graffiti competition then attack the attending gangs.
[edit] Gramercy Riffs

The Gramercy Riffs, or simply the Riffs, are the largest and most important gang in New York City. They are disciplined, well-organized and based on martial arts. As their name suggests, their turf is Gramercy, but as they are the largest gang in the city, their influence most likely spans much further. The Riffs seem to be made up entirely of African-Americans. They dress in orange, karate gi garb, resembling those worn by Shaolin monks, but at the end of the film, they are seen wearing black T-shirts and matching jeans. It is never mentioned how many members the Gramercy Riffs have, but it is speculated that their numbers range from around 500 to 1,000.

At the start of the film, the Riffs' Warlord, Cyrus, is giving a speech to all of New York's heavier gangs, stating that if they all worked together they could run the city, outnumbering the police three to one. At the climax of the conclave, Cyrus is shot by the Rogues' leader, Luther, who then frames the Warriors for the crime. After Cyrus' death, the second-in-command, Masai, takes over, and has the Riffs hunt them down until the Rogues are proven guilty of the crime by an onlooker. In the video game, the last few missions follow the same story as the film, with the Riffs hunting down the Warriors. Earlier missions revolve around the Warriors' trying to get on the Riffs' network. Cyrus is also shown in several cutscenes explaining his idea to his Warchief, Masai. The Warriors never directly encounter the Riffs until the end of Level 18 (Come Out to Play), which plays out exactly as it did in the film.
[edit] Hi-Hats

The Hi-Hats are a mime gang from SoHo whose members sport red-and-black-striped shirts (black-and-white-striped for the Warchief and Lieutenants), painted faces and top hats. They are bitter rivals of the Electric Eliminators, who also hail from SoHo, and commonly use knives. They are led by Chatterbox, and later they are led by Crackerjack.

The Hi-Hats are only seen in the opening credits and at the conclave during the film. In the game, however, they are featured in two levels. In Level 6 (Writer's Block), they hold a writer's competition to find the best graffiti artist in New York City. This is a setup, however, to eliminate other gangs. The Warriors escape to Chatterbox's art gallery which they trash. In Level 8 (Encore), the Hi-Hats go to Coney Island to take revenge on the Warriors. After a prolonged battle, the Warriors kill Chatterbox and his invading soldiers. Crackerjack then becomes the Hi-Hats' Overlord.
[edit] Hurricanes

The Hurricanes are an all-Hispanic (mainly Puerto Rican) gang from Spanish Harlem. Hurricanes members are usually heavily tattooed and wear white muscle-shirts (or no shirts at all) with bowler hats and matching beige trousers. Lieutenants wear short-sleeved blue shirts and their Warchief, Sanchez, wears a short-sleeved brown shirt. Like the Satan's Mothers and the Turnbull AC's, the Hurricanes have two leaders, Diego and Vargas. Both of whom are very muscular, heavily tattooed and over 6 feet tall. They are bitter rivals of the West Harlem Boppers and their usual hangout is the "Stripes and Solids" pool hall.

The Hurricanes are seen in the film walking down a subway platform during the intro and later at Cyrus' meeting. They appear in level 7 (Adios Amigo) of the video game, in which the Warriors go to Spanish Harlem to collect money owed to them by Sanchez. A conflict ensues and the Warriors become surrounded, eventually fighting their way out.
[edit] Lizzies

The Lizzies are an all-female gang operating out of Bowery. Their hang-out is located near CBGB and for uniform they all wear a watercolor-patterned rainbow shirt, which can be seen under their hooded sweaters and jackets in the film. Apparently, some members also wear hooded sweaters with their logo embroidered on the back.

In the film, they meet Vermin, Cochise, and Rembrandt of the Warriors in the subway and bring them back to their hang out under the guise of partying and having sex. However, it soon becomes apparent that they lured them there in an attempt to take revenge on the Warriors, whom they believe shot the Riffs' leader, Cyrus. This scene is recreated in the video game.
[edit] Panzers

The Panzers are an all-Black, militant gang from Washington Heights. They are seemingly modeled on the Guardian Angels and Black Panthers as their members wear camouflage jackets or black turtle neck sweaters and sometimes red berets. They are essentially a neighborhood vigilance organization, and one of the city's least-respected gangs, but are still invited to the meeting.

In the film, they are shown making their way to the meeting during the intro, and in the video game they appear in Level 6 (Writer's Block), where The Hi-Hats host a set-up graffiti competition then attack the attending gangs.
[edit] Punks

The Punks are a gang operating out of the Bowery. They are mostly White, with at least one Black member, and wear traditional worker's outfits and their leader uniformly moves around on roller skates. They are known for the swiftness and savagery of their attacks. Their members carry knives.

In the film, they accidentally stumble into a skirmish with the Warriors inside a subway station washroom (while seeking to ambush Swan, alone) and are beaten up. This scene is recreated in the video game.
[edit] Rogues
The Rogues leader, Luther.

The Rogues are a gang from Hell's Kitchen. They dress like 1950s greasers and resemble stereotypical metalheads and wear biker-style uniforms consisting of leather "kutten" vests, with their logo - a hooded grim reaper in chains - embroidered on the back, and matching patrol caps and jeans and drive an old graffiti-scribbled Cadillac hearse. The leader, Luther, is a small man with extremely violent and psychopathic tendencies. He killed Cyrus merely because "I just like doing stuff like that!" Luther's Warchief is Cropsey.

In the video game, the Rogues follow the same storyline as the film, but you are introduced to them earlier on, via cut scenes before and after certain missions. At the beginning of Boys In Blue for example, you discover how their Luther got the gun and police badge in the first place. The cut scenes show more of Luther's character and mentality, and also the bullying of another member of the gang. At various points in the game, Luther is seen speaking to an unknown person on a payphone, however, portions of his conversation imply that some had put Luther up to killing the cop to retrieve the gun and badge, as well as the assassination of Cyrus. In the game, Rogues are encountered in Blackout alongside the Moonrunners, Panzers and Baseball Furies. They are encountered a second time in Come Out to Play, this level re-creates the climatic Hearse chase and final fight between Luther and Swan. The fight, however, is longer in the game, it starts with a one-on-one fist fight between the two, then, after being severely beaten, Luther hides behind a fence on the beach and shoots at Swan and Snow. The battle eventually ends when, as in the film, Mercy gives Swan a knife to throw at Luther. During the game's closing credits, the player takes control of the Gramercy Riffs and is able to waste the Rogues.
[edit] Savage Huns

The Savage Huns (Chinese: 野蠻的匈奴), or simply Huns, are a Chinese American gang loosely affiliated with the Triads in control of Chinatown. They wear traditional Chinese worker attire (apart from the gang leaders, who wear stylish martial arts outfits) and are responsible for enforcing the Triads' bookmaking, protection and gambling rackets in Chinatown. They are led by Ghost. They commonly use knives during fights.

In the film, they are shown waiting for a train in the subway, during the intro. In the video game, they appear in Flashback Level D (Scout's Honor) where two Warriors members travel to Chinatown to steal their gambling and protection books. Their fights with the Satan's Mothers are often mentioned by the DJ on the radio, but it is implied that they were once allies